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mcsorley's ale house

As close as his friends could figure it, his age was seventy-six. At 15 East 7th Street, located in the shadow of The Cooper Union is McSorley’s Old Ale House, an enduring remnant of the city’s rich culture, history, and the embodiment of the American dream. When John McSorley made his epic journey from Dublin, Ireland to New York with his wife Mary, he may have only imagined his tavern would become a hallmark of the city for the next 150 plus years. In New York City, taverns come and go and few may stand the test of time.

A look at New York City's oldest Irish pub, McSorley's - IrishCentral

A look at New York City's oldest Irish pub, McSorley's.

Posted: Mon, 25 Jul 2022 07:00:00 GMT [source]

Irish People

mcsorley's ale house

At 3pm the next day, McSorley’s opened its doors to women for the first time. Kirwan was not present, explaining that she did not wish to break the bar’s tradition. The 1940’s brought with it a world war and a new brewer of McSorley’s Ale. Rheingold carried on with the product for more than thirty years before finally closing operations and passing the brand to Schmidt’s Brewers of Philadelphia. "They only serve two beers -- dark ale and light ale -- and that's all you can buy," said tourist Mags Hylands. Indulge yourself, if you will, on a virtual tour of America’s oldest, continuously operated bar.

McSorley’s Old Ale House: A Crossroad Of NYC Culture And History

Such treatment did not annoy customers but made them snicker; they thought he was funny. In fact, despite Bill’s bad disposition, many customers were fond of him. They had known him since they were young men together and had grown accustomed to his quirks. They even took a wry sort of pride in him, and when they said he was the gloomiest, or the stingiest, man in the Western Hemisphere there was boastfulness in their voices; the more eccentric he became, the more they respected him.

HAWTHORNE BREWERY & TASTING ROOM

The glint of the well-worn taps behind the bar, which all feature Old John McSorley’s head, helps distract the casual observer from discovering the pub’s final secret. Nestled amongst a formidable collection of bric-a-brac lie three small vessels. Each contains the earthly remains of a McSorley’s regular whose final wish was to be laid to rest amongst the sawdust and tchotchkes. It stated that the subjected establishments had to provide “sanitary facilities” for their employees … but not necessarily for their customers. It would take another 16 years before McSorley’s would finally install a women’s restroom. We also use different external services like Google Webfonts, Google Maps, and external Video providers.

It helped him vault over his rival Stephen A. Douglas to secure the nomination as the Republican presidential candidate. After nearly two centuries of operation, the bar has compiled its own canon of secrets. Now, just in time for St. Patrick’s Day, I’m going to share of few of my favorites with you. Down in the heart of the East Village, tucked around the corner from the imposing Cooper Union, lies McSorley’s Old Ale House, arguably the greatest Irish pub in New York City.

LIGHT

John kept horses out back and his son, Bill, who eventually took over the bar from his father, was an avid reader. The two-glass policy evolved so father and son could tend to their hobbies in between pours. McSorley’s has been open since 1854, and managed to stay so because, at one time, it operated as a speakeasy. The iconic mugs that McSorley’s ale is served in today are a vestige of the Prohibition era when the bar would serve “near beer” (beer with little to no alcohol content) to most patrons. During World War I, Old John’s son, Bill, began a touching tradition.

A man who drank in McSorley’s steadily for sixteen years once said that in that time Bill spoke exactly four intelligible words to him. They were “Curiosity killed the cat.” The man had politely asked Bill to tell him the history of a pair of rusty convict shackles on the wall. He learned later that a customer who had fought in the Civil War had brought them back from a Confederate prison in Andersonville, Georgia, and had given them to Old John as a souvenir. Bill was big and thick-shouldered, but he did not look strong; he had a shambling walk and a haggard face and always appeared to be convalescing from something. He wore rusty-black suits and black bow ties; his shirts, however, were surprisingly fancy—they were silk, with candy stripes. Get along home, where you belong.” Once he stared for a long time at a corner of the saloon and suddenly shouted, “Take your foot off that table!

Sometimes, in the afternoon, if the weather was good, he would shuffle into the bar, a sallow, disenchanted old man, and sit in the Peter Cooper chair with his knotty hands limp in his lap. For hours he would sit and stare at the painting of Old John. The customers were sure he was getting ready to die, but when he came in they would say, “You looking chipper today, Billy boy,” or something like that. He rarely spoke, but once he turned to a man he had known for forty years and said, “Times have changed, McNally.” “You said it, Bill,” McNally replied.

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The same photographs hang on the walls, the same appliances sit in their original position, and the everchanging community continues to live the same experience as many before them. Right in the heart of it all, McSorley’s stands unchanged by the Sport’s bars, restaurants, theater, and busy modernized environment surrounding it. McSorley’s is the epitome of New York City and American history, as it stands as a symbol of what 1850s New York City was like at that time. In 1939, when then-owner Daniel O’Connell died and left the bar to his daughter, Dorothy O’Connell Kirwan, she honored the no-women policy and appointed her husband as manager.

Coins are dropped in soup bowls—one for nickels, one for dimes, one for quarters, and one for halves—and bills are kept in a rosewood cashbox. It is a drowsy place; the bartenders never make a needless move, the customers nurse their mugs of ale, and the three clocks on the walls have not been in agreement for many years. The backbone of the clientele, however, is a rapidly thinning group of crusty old men, predominantly Irish, who have been drinking there since they were youths and now have a proprietary feeling toward the place. Some of these veterans clearly remember John McSorley, the founder, who died in 1910 at the age of eighty-seven.

It is another lasting tradition that McSorley’s has kept since its founding. The tradition started back when many customers were chewing tobacco and spit would go flying everywhere. The sawdust was put on the floor to absorb the spit along with any beer spills. The sawdust made it easier to clean the ground as well as to provide a smooth surface on which boxes could be moved. According to the Business Insider, “During World War I, McSorley’s began a tradition of giving troops heading off to war a turkey dinner and, of course, pints of ale.

Bill would sometimes take an inexplicable liking to a customer. Around 1911 a number of painters began hanging out in McSorley’s. Among them were John Sloan, George Luks, Glenn O. Coleman, and Stuart Davis, the abstractionist. They were all good painters, they did not put on airs, and the workingmen in the saloon accepted them as equals. One night, Hippolyte Havel, the anarchist, came in with the painters. Havel was a long-haired, myopic, gentle-mannered Czech whose speeches often got him in trouble with the police.

He was so solemn that before he was thirty several customers had settled into the habit of calling him Old Bill. He worshipped his father, but no one was aware of the profundity of his worship until Old John died. After the funeral, Bill locked the saloon, went upstairs to the family flat, pulled the shutters to, and did not come out for almost a week. Subsequently he commissioned a Cooper Union art teacher to make a small painting of Old John from a photograph. Bill placed it on the wall back of the bar and thereafter kept a hooded electric light burning above it, a pious custom that is still observed. The walls in McSorley’s are covered with the history of New York City and McSorley’s.

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